Interview DEVILOOF – “Just go wild, enjoy yourselves to the fullest, and we’ll match your energy on stage — we won’t hold back.”

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Japan has produced some of the most extreme and visually striking metal acts in the world, and DEVILOOF stands among the most uncompromising. Blending deathcore, brutal death metal, slam and the legacy of Visual Kei aesthetics, the band has carved out a sound and identity that feels both raw and theatrical. After previous cancellations, the band is finally embarking on their long-awaited European tour — launching at On The Rocks in Helsinki on November 25 — and fans across Europe will finally have the chance to experience their intensity live. Ahead of the tour, we got the band to answer some questions to learn more about their musical roots, influences, and what fans can expect from this long-awaited run of shows.


For listeners who haven’t yet encountered DEVILOOF, guitarist DAIKI describes their sound as rooted in deathcore but shaped by a much wider range of underground influences. The visual element is equally essential: “On top of that, we incorporate the visual aesthetics that are part of Japan’s long-standing Visual Kei tradition, which together shape the unique world of Deviloof.”

Their influences span continents and subgenres. Vocalist KEISUKE explains that there isn’t one dominant source of inspiration, but a combination of early deathcore pioneers like Suicide Silence, Whitechapel, Carnifex, and Thy Art Is Murder, alongside slamming acts such as Devourment, Acrania, and Ingested. The brutality is balanced with roots in Visual Kei, citing bands like Dir en grey, MUCC, the GazettE and Kagerou as part of their musical DNA. “All of these influences form our foundation,” he says, “and we digest those elements in our own way to create the sound of DEVILOOF.”

Emotion is another cornerstone of their work. KEISUKE notes that pain, sorrow and anger are recurring themes in almost everything they write. For him, DEVILOOF’s music is something meant to resonate with listeners going through dark or overwhelming moments: “When you’re overwhelmed by negative feelings, I want you to listen to DEVILOOF. I’ll be screaming with you.” Still, the band welcomes fans who simply enjoy the music without diving into the emotional core — interpretation is open and personal.

When asked which song represents them best, DAIKI couldn’t pick only one — but pointed to “Gouzin Zangoku (拷訊惨獄),” “Newspeak,” and “INSHU (因習).” These tracks showcase what he calls the clearest picture of who DEVILOOF currently are: a balance of Japanese musical aesthetics and sheer brutality.

Their upcoming European tour marks an important milestone — especially after previous cancellations. KEISUKE explains: “After two cancellations, we know it’s been a long wait, so we’re truly happy that we can finally make it.” Ray adds a message to those who waited through the delays: “Thank you so much for your patience. The DEVILOOF European tour is finally kicking off, and we’re looking forward to every single show.”

Since it’s their first time touring Europe, the band has prepared a setlist that serves almost like a musical history lesson. DAIKI describes it as a best-of selection covering their entire evolution, with a few songs chosen specially for European crowds.

For many fans, DEVILOOF’s visual presentation — especially their music videos — is what first grabs attention. DAIKI highlights “INSHU” as the work they are most proud of, especially thanks to the involvement of acclaimed actor Tadanobu Asano and working with director Kondo, someone the band had long wanted to collaborate with. He feels it’s the first music video where the result matched their full vision: “It turned out to be an amazing piece of work.”

Not all memorable moments with overseas listeners are serious. Ray recalls meeting a fan who tried speaking Japanese using phrases learned from anime. While attempting to say “Everyone in DEVILOOF,” they instead said, “You guys in DEVILOOF.” According to Ray: “It was amazing! Hilarious!”

Speaking about the Japanese extreme metal landscape, DAIKI notes that it has its own characteristics, shaped partly by an exclusive or niche scene. At the same time, more Japanese bands are now stepping onto global stages — something DEVILOOF wants to be part of. Musically, he explains, many Japanese artists blend metal with elements from J-pop and Visual Kei, creating uniquely hybrid approaches that stand out internationally.

Looking forward, the band is already developing new material. DAIKI mentions: “Keisuke and Ray are already working on some amazing new songs.” Beyond new music, collaborations and touring new countries are also on the wishlist, but they’re mostly wanting to meet everyone’s expectations and wishing for everyone’s continued support.

Before wrapping up, each member shared a message for European fans. KEISUKE keeps it direct: “I’m super nervous, so please give us lots of loud cheers!” Ray adds that after visiting many countries, they want to experience energy so intense that they can say: “This is the best!” And finally, DAIKI offers a message to those who have been waiting years for this moment: “Just go wild, enjoy yourselves to the fullest, and we’ll match your energy on stage — we won’t hold back.”

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