Crippled Black Phoenix confront memory and relapse on new single ‘Ravenettes’

CRIPPLED BLACK PHOENIX present “Ravenettes”, a central and formative composition from their forthcoming album Sceaduhelm. Written as the first piece for the record, the track established the tonal and emotional framework that would shape the album as a whole. Built on repetition, restraint, and controlled momentum, “Ravenettes” captures a state of psychological vigilance, where suppressed memories resurface without warning and avoidance proves only briefly effective.

“Ravenettes” frames trauma as cyclical rather than resolved, returning again and again as a “glitch in the timeline.” Musically, its stripped-back construction and insistent rhythmic pulse mirror this sense of inevitability, favouring tension over release. Belinda Kordic’s vocal performance remains measured and urgent, carrying the song’s unease without exaggeration. Within the wider context of Sceaduhelm, “Ravenettes” introduces the album’s inward focus on endurance, emotional erosion, and the quiet violence of repetition, setting the foundation for what follows…

The official music video for “Ravenettes” was produced in collaboration with 9LITER FILMY, an audiovisual production collective recognised for its cinematic restraint and emphasis on mood-driven storytelling. Known for work that favours atmosphere, repetition, and visual tension over linear narrative, 9LITER FILMY’s approach mirrors the song’s exploration of memory as disruption rather than closure.

Sceaduhelm is out April 17th via Season of Mist.

Pre-order & pre-save: 
https://orcd.co/cbpsceaduhelm

Tracklist:
1. One Man Wall of Death (04:14)
2. ⁠Ravenettes (04:22)
3. Things Start Falling Apart (05:21)
4. No Epitaph / The Precipice (08:30)
5. The Void (03:49)
6. Hollows End (04:26)
7. Dropout (03:48)
8. Vampire Grave (06:24)
9. Colder and Colder (04:56)
10. Under the Eye (07:07)
11. ⁠⁠Tired to the Bone (04:50)
12. Beautiful Destroyer (08:33)
Full runtime: 1:06:22

CRIPPLED BLACK PHOENIX are approaching a new threshold with Sceaduhelm, an album that withdraws from outward spectacle and turns instead toward interior collapse, exhaustion, and moral attrition. Severe, restrained, and emotionally exposed, the record presents itself not as a dramatic statement but as a slow accumulation of unease. Where earlier works often grappled with collective trauma or historical violence, Sceaduhelm listens to what lingers afterward: fatigue, memory, complicity, and the quiet weight of survival. The result is a unified emotional landscape rather than a narrative concept, marked by repetition, patience, and unresolved tension.

Crippled Black Phoenix was formed in 2004 by multi-instrumentalist and songwriter Justin Greaves, initially conceived as a fluid musical project rather than a fixed band. Emerging from Greaves’ post-Iron Monkey creative reset, the project was built around collaboration, instability, and a refusal of rigid identity. From the outset, Crippled Black Phoenix positioned itself as a voice for the marginalised and dispossessed, whether human or animal, individual or collective. This ethical undercurrent has remained constant throughout the project’s evolution, shaped in close creative partnership with vocalist and lyricist Belinda Kordic, whose role has extended far beyond performance into the wider artistic and conceptual framework of the band.

The band’s early releases established a reputation for long-form compositions, cinematic pacing, and emotional gravity. Albums such as A Love of Shared Disasters and The Resurrectionists introduced a sound rooted in repetition and slow transformation, drawing as much from post-rock and folk traditions as from metal’s sense of weight and endurance. With I, Vigilante in 2012, Crippled Black Phoenix reached a wider audience, refining their songwriting into more direct structures without abandoning their commitment to atmosphere and tension. The album remains a reference point within their catalogue, both for its accessibility and its bleak emotional clarity.

Subsequent releases resisted consolidation. White Light Generator and Bronze expanded the band’s textural range, incorporating harsher dynamics, sharper political commentary, and a more confrontational production approach. Great Escape functioned as both retrospective and re-contextualization, drawing together material from various sessions into a fractured but revealing whole. Throughout this period, the band’s identity remained deliberately unstable, with shifting lineups and an ongoing refusal to settle into a predictable formula.

In 2020, Ellengæst marked another pivot. Built around the use of multiple guest vocalists alongside Kordic, the album explored themes of death, memory, and historical residue, earning recognition for its cohesion and emotional impact. Rather than treating guest contributions as novelty, Crippled Black Phoenix used contrasting voices to deepen the album’s sense of dislocation and grief. The pandemic-era context further sharpened the record’s introspective tone, even as live activity was forced into suspension.

That inward momentum continued with Banefyre, a record concerned explicitly with persecution, inequality, and the violence inflicted on those deemed different by society. Drawing on historical and symbolic imagery, the album balanced outrage with ritual, placing acts of oppression within a broader continuum of human cruelty. Its production embraced rawness and abrasion, reinforcing the band’s long-standing commitment to evolution over repetition. Banefyre reaffirmed Crippled Black Phoenix as a project unwilling to offer comfort or resolution, even as it expanded their sonic and thematic reach.

Sceaduhelm emerges from this lineage as a narrowing of focus rather than a departure. Written primarily between 2023 and 2025, the album developed through uncertainty, self-questioning, and prolonged doubt. The process was deliberately fluid, allowing compositions to remain open and emotionally vulnerable until late in production. Justin Greaves remains the sole composer of the music, with lyrics written after the fact and assigned to voices according to emotional fit rather than hierarchy. Belinda Kordic, Ryan Patterson, and Justin Storms share vocal duties, each occupying a distinct but aligned psychological register.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.