Photo Reports
Sunday Funday hit a little different in Fort Wayne, Indiana at Clyde Theatre when Black Stone Cherry rolled into town!
Getting the party started, Ayron Jones graced the stage with his 3 piece band based out of Seattle! I have been wanting to see Ayron for a long time and I was not surprised that he was worth the wait! His unique vocals kind of permeate the soul. I love the combination of rock, blues and soul with a hint of grittiness. If the brain had tastebuds, that’s how Ayron Jones hits the neurons. Bass player Bob Lovelace was an absolute blast to watch as well. Drummer Malachi Johnson is equally as talented. I love to see a smiling drummer! His setlist included multiple hit tracks such as Filthy, Mercy, Blood in the Water and Take Me Away.
Next up was rock band Them Dirty Roses hailing from Gadsden, Alabama! Side note, I had family living in Gadsden for about 7 years, so I have taken many a road trip to the area. The band consists of James Ford [guitar/vocals], Andrew Davis [guitar], Frank Ford [drums] and Ben Crain [bass] – although for this show in particular, Steve Jewell Jr. from Black Stone Cherry was filling in for the night. They put a modern twist on a classic southern rock sound with hits such as Cocaine and Whiskey, Shake It and Grew Up In The Country.
Finally, hard rock band Black Stone Cherry took the stage! This was my second time seeing them and I had forgotten how energetic of a band they were! The band consists of Chris Robertson [vocals/guitar], Ben Wells [guitar], John Fred Young [drums] and Steve Jewell Jr. [bass]. The way they interact with fans and the charisma they bring every night never gets old. They are all over that stage while playing their songs that span nearly 20 years is quite amazing to see! They opened with Me and Mary Jane and played various popular tracks such as When the Pain Comes, Blind Man, White Trash Millionaire, Give Me One Reason (Tracy Chapman cover) and Lonely Train. If you like good ol’ rock and roll with explosive energy behind every lyric and riff, you will love seeing Black Stone Cherry live! And don’t forget your dancing shoes because you will need them!
On Saturday November 22nd, the cozy Crossover Music Pub in Ghent transformed into a buzzing rock haven as BTL—formerly known as Beyond The Labyrinth—unveiled their brand-new album in style. Fans old and new packed the venue, eager to hear what the rebranded band had been cooking up.
The evening kicked off with a fiery set by the Belgian garage rock outfit tannen baines tree, whose show primed the crowd perfectly for what was to come. Once BTL took the stage, they wasted no time diving into a full live rendition of their new album, treating attendees to every track in one impressive sweep.
Of course, the band also sprinkled in some surprises. Their cover of Judas Priest’s classic “Breaking the Law” had the whole room shouting along—an almost obligatory nod considering their new initials 🙂 .
One of the night’s standout moments came during the final song, “Midnight Madness.” The lady starring in the track’s video clip was present and stepped on stage to join the performance, adding an extra spark and giving fans a rare live glimpse of the collaboration.
Throughout the show, frontman Johan Lotigiers kept spirits high—not just with his powerful vocals, but with his trademark dad jokes sprinkled between songs. His warm humor helped create the intimate, friendly vibe that made the entire night feel like a celebration among friends.
All in all, the album presentation was one big party. BTL proved they’re stepping into their new era with confidence, creativity, and plenty of rock ’n’ roll joy!
This past September, we caught two of Finland’s most promising modern heavy acts: Luna Kills and Balance Breach, as they took over Kuudes Linja in Helsinki. Both bands have been steadily gaining momentum, each carving out their own corner of Finland’s alternative scene with sharp songwriting, emotional intensity, and live shows that keep raising the bar.
Luna Kills brought their dark, dynamic alt-rock forward with confidence and charisma, while Balance Breach delivered a tight, high-energy performance that proved exactly why they’re becoming one of the most exciting metalcore names in the country.
Check out our pictures that capture the raw potential, the rising popularity, and the electric atmosphere of a night that showed just how ready these bands are for bigger stages. Dive in and relive the show.
Music has always had the power to bring people together, and Formosa : Fest : Finland 2025 was built entirely around that idea. Serving as a cultural exchange between Finland and Taiwan, the event transformed Helsinki into a meeting place where visitors could discover not only music, but also food, traditions and communities from both countries.
On stage, the evening offered an equally diverse journey. Taiwanese acts Crescent Lament, Flesh Juicer and Chthonic shared the spotlight with Finnish metal exports Lost Society and Korpiklaani, creating a celebration of heavy music that transcended borders. Our photographer was there to capture some of the highlights from this unique event. Dive into the gallery below and relive a day where Finnish and Taiwanese cultures came together through the universal language of music.
On a frosty November night in Stuttgart, the legendary LKA Longhorn was set ablaze by the genre-defying energy of SKINDRED, the Welsh pioneers of Reggae Metal. Touring Europe in support of their acclaimed album ‘Smile’ (which hit no. 2 on the UK charts) SKINDRED brought their signature fusion of metal, ska, hip-hop, and punk to a crowd hungry for heat and rhythm.
The evening kicked off with SICKRET, the Nu-Metal quartet from Switzerland. Despite delivering a tight and compelling set, their early start—well ahead of the official showtime—meant much of the audience missed their performance. It was an unfortunate scheduling misstep for a band that deserved a fuller house.
Next up, ALIEN ANT FARM took the stage and immediately dialed up the intensity. Known for their technical precision and infectious energy, the Californian four-piece— best known for their cover of Michael Jackson’s “Smooth Criminal”—had the crowd bouncing in no time. Their set was a whirlwind of crunchy riffs and dynamic stage presence, perfectly priming the audience for what was to come.
Then came the main event. SKINDRED, fronted by the charismatic Benji Webbe, transformed the venue into a pulsating vortex of sound and movement. Flanked by Mikey Demus on guitar, Daniel Pugsley on bass, Arya Goggin on drums, and Dan Sturgess handling DJ and sampling duties, the band delivered a performance that was equal parts theatrical and visceral. Benji, ever the showman, commanded the crowd with effortless authority. Whether calling for circle pits, dance breaks, or synchronized jumping, the audience obeyed with fervor. His wardrobe changes and layered personality added flair to an already feverish atmosphere. The synergy between band and crowd was undeniable—this wasn’t just a concert, it was a communal eruption.
As the final notes rang out and the crowd roared in approval, it was clear: Skindred knows how to close a night with fire, even when the temperatures outside are freezing.
On 20 November 2025, Norwegian prog visionaries Leprous brought their almost-wrapped up European Tour to Antwerp.
One of the evening’s standout moments was the band’s performance of their newly released a-ha cover, “Take On Me.” The track, recorded earlier in the year during their North American tour, originated from their appearance on Musora’s On the Spot series—where artists are challenged to learn and record a cover song blindly, within just a few hours. The Leprous rendition quickly became a fan favorite and was later released as a digital single, making its live performance a particularly special treat.
Fans were highly interactive throughout the night, with one audience member loudly requesting “White”—a deep-cut favorite. The band, however, kept to their planned setlist and did not include the song.
The evening’s support came from Gåte, whose Nordic folk rock energy set an atmospheric tone for the night. Unfortunately, many attendees—including us—missed the promising Finnish opening act Royal Sorrow, due to exceptional heavy traffic that reportedly caused delays of up to two hours.
Antwerp, 12 November 2025 — Electric Callboy returned to Antwerp with a show that proved once again why they have become one of Europe’s most entertaining live acts. Their evolution toward a more techno-driven sound may have taken them a bit away from their metalcore/electronicore beginnings, but the energy they brought to the stage made it impossible for the crowd to stand still. With strobe-heavy drops and their trademark hyperactive chaos, the band transformed the venue into a full-blown rave.
Fortunately for fans craving a dose of pure heaviness, the main support Bury Tomorrow delivered exactly that. The British metalcore veterans fired on all cylinders, offering crushing riffs and the kind of pit-igniting breakdowns that reminded everyone what modern metalcore can still be at its best. Their set balanced the night perfectly—melody and muscle before Electric Callboy’s neon-colored madness.
The evening kicked off with Wargasm.
As part of their European tour in support of ‘Utopie’, Aephanemer brought their melodic death metal vision to On The Rocks in Helsinki, delivering a set that balanced precision, melody, and momentum. The club setting allowed the band’s sweeping leads and tightly woven arrangements to hit with extra clarity, pulling the crowd fully into their world.
With Dark Oath and Valhalore rounding out the lineup, the evening offered a varied journey through modern metal from dark intensity to epic flair, all bound together by a shared sense of drive and purpose.
For their 25th band anniversary, SALTRATIO MORTIS embarked on a grand jubilee tour through the German-speaking regions of Europe. The tour offered everything that SALTATIO MORTIS and medieval folk rock stand for: elaborate stage designs, dance performances, pyrotechnics, and fire in abundance. We were able to photographically document the penultimate concert and the actual tour finale in Ludwigsburg.
For this very special tour, SALTATIO MORTIS, led by singer Jörg ‘Alea Saltatio’ Roth, came up with a unique gag: they acted as their own support band under the name BAD LOVERZ. Dressed in 1980s hair and glam rock outfits complete with wigs, they performed and reinterpreted rock songs from the 80s. Nothing was safe from their tongue‑in‑cheek self‑parody, with a repertoire ranging from ROXETTE (‘You Got The Look’) to BON JOVI (‘Livin’ On A Prayer’).
Afterwards, the band took the stage as themselves and presented a cross‑section of their work spanning two and a half decades. The spectacular stage designs and fire show thrilled the audience in the nearly sold‑out venue. Instead of the usual crowd surfing in a dinghy, singer Alea was carried over the crowd in an inflatable Viking boat, turning it into a truly wild rodeo ride. On top of that came the crew’s pranks (as is customary at a tour finale), including a raffle of German Schlager songs instead of long‑unplayed titles and funny elf costumes.
SALTATIO MORTIS impressively proved that they belong among the greats of this genre — and that they can also laugh at themselves.
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