In between two studio albums, Finnish-Hellenic funereal gothic doom ensemble Aeonian Sorrow has birthed a new four track EP 'From the Shadows'.
Despite a rotating roster of talented musicians from all across Europe in their early days, the band has settled on a consistent lineup since their previous album ‘Katara’ with original members Taneli Jämsä on guitars and the ever wonderful vocalist Gogo Melone at the helm, complemented by guitarist Jukka Jauhiainen, another veteran from Red Moon Architect and Achilleas Papagrigoriou on drums. Last but not least, we have Gogo‘s male vocalist counterpart in the guise of Joel Notkonen.
After the spoken word intro, the first track ‘Harbinger of Ruin’ jumps out at you like a diabolical jack-in-the-box in an utterly unexpected display of symphonic savagery that would not be unbefitting a recent album from their Greek countrymen in Rotting Christ. It’s not until Gogo‘s heavenly singing kicks in that she steers the song into more familiar gothic waters.
In line with its hushed moniker, the next track ‘Whispers in the Dark’ is a lot more subdued, in speed at least. It breathes a suffocating atmosphere that reminds me of Ahab‘s nautical brand of funeral doom, making this by far the heaviest, most laden track of the four, not in the least due to Notkonen‘s fathomlessly deep grunts. ‘Your Blackened Forest’ finds itself at the opposite spectrum, with Gogo‘s plaintive poetry taking central stage. Bonded to Joel‘s raspier delivery here, it takes on a Swallow the Sun like quality.
Closing the four piece, ‘The Mists of Oblivion’ brings all its disparate parts together for one last time. Up-tempo drums and blackened tremolo picks are forged with heart-wrenching guitar leads, sweeping synths and, of course, the vocal interplay between beauty and beast at its very core.
REVIEW SCORE
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Music / Songwriting
9/10
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Vocals / Lyrics
9/10
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Mix / Production
8/10
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Artwork & Packaging
8/10
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Originality
7/10
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8.2 | With a runtime of more than half an hour of exquisite funereal gothic doom, this EP is an excellent introduction to newcomers to both the subgenre and the band, as well as a more than worthy addition to the collection of longtime fans.
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