Photo Reports
Antwerp, 12 November 2025 — Electric Callboy returned to Antwerp with a show that proved once again why they have become one of Europe’s most entertaining live acts. Their evolution toward a more techno-driven sound may have taken them a bit away from their metalcore/electronicore beginnings, but the energy they brought to the stage made it impossible for the crowd to stand still. With strobe-heavy drops and their trademark hyperactive chaos, the band transformed the venue into a full-blown rave.
Fortunately for fans craving a dose of pure heaviness, the main support Bury Tomorrow delivered exactly that. The British metalcore veterans fired on all cylinders, offering crushing riffs and the kind of pit-igniting breakdowns that reminded everyone what modern metalcore can still be at its best. Their set balanced the night perfectly—melody and muscle before Electric Callboy’s neon-colored madness.
The evening kicked off with Wargasm.
For their 25th band anniversary, SALTRATIO MORTIS embarked on a grand jubilee tour through the German-speaking regions of Europe. The tour offered everything that SALTATIO MORTIS and medieval folk rock stand for: elaborate stage designs, dance performances, pyrotechnics, and fire in abundance. We were able to photographically document the penultimate concert and the actual tour finale in Ludwigsburg.
For this very special tour, SALTATIO MORTIS, led by singer Jörg ‘Alea Saltatio’ Roth, came up with a unique gag: they acted as their own support band under the name BAD LOVERZ. Dressed in 1980s hair and glam rock outfits complete with wigs, they performed and reinterpreted rock songs from the 80s. Nothing was safe from their tongue‑in‑cheek self‑parody, with a repertoire ranging from ROXETTE (‘You Got The Look’) to BON JOVI (‘Livin’ On A Prayer’).
Afterwards, the band took the stage as themselves and presented a cross‑section of their work spanning two and a half decades. The spectacular stage designs and fire show thrilled the audience in the nearly sold‑out venue. Instead of the usual crowd surfing in a dinghy, singer Alea was carried over the crowd in an inflatable Viking boat, turning it into a truly wild rodeo ride. On top of that came the crew’s pranks (as is customary at a tour finale), including a raffle of German Schlager songs instead of long‑unplayed titles and funny elf costumes.
SALTATIO MORTIS impressively proved that they belong among the greats of this genre — and that they can also laugh at themselves.
V’s Metal Fest: A Promising First Edition With Room to Grow
The very first edition of V’s Metal Fest, organised by V’s Metal Media, took place recently—an ambitious debut that brought together 10 metal bands, nine of them hailing from Belgium. The sole foreign act, ArseA from Italy, flew in only a few hours before their set. Despite a warm welcome, the band had its share of challenges: sound issues persisted throughout their performance despite the sound engineer’s best efforts. Their singer, attempting to address the crowd in French, enthusiastically shouted “Bonsoir, Bruxelles!”—a charming and innocent (double) mistake that drew some smiles from the audience.
While the musical lineup was strong, turnout unfortunately wasn’t. Only a modest number of metal fans made it to the venue, a tough blow for an organiser launching a brand-new festival. With their own merch and even their own festival beer (we tried it, and we liked it!), V’s Metal Media clearly invested both passion and resources into the event. Hopefully, they’ll find channels to sell the remaining stock and soften the financial impact.
One thing became clear: 10 bands in a single-day festival might be a bit much, both for organisers and attendees. The schedule stretched from 13:40 all the way to 03:00, and by midnight most of the audience had already left. Even we didn’t make it to the end and missed the final two performances—fingers crossed there were still people present for those closing sets, assuming they played as planned.
Despite the challenges, V’s Metal Fest showed heart, dedication, and the kind of underground spirit that keeps the metal scene alive. We sincerely hope V’s Metal Media bounces back, learns from this first tough edition, and returns next year with an even stronger festival—and a bigger crowd. After all, every major event started small. The key is surviving that first edition.
Here’s hoping for V’s Metal Fest 2.0—louder, stronger, and packed with fans. Fingers crossed!
Australian metalcore legends Parkway Drive stormed the Helsinki Ice Hall on November 12 2025, celebrating their 20-year anniversary. The Ice Hall was charged with energy all night as Parkway Drive unleashed a fiery live show — complete with impressive stage production and their signature earth-scorching flames.
Supporting the headliners were two fellow Aussie powerhouses: deathcore juggernaut Thy Art Is Murder and metalcore mainstay The Amity Affliction. Together, they delivered an intense, no-holds-barred evening of modern heavy music – a fittingly fierce celebration of Parkway Drive’s two-decade journey.
The sold-out night at Trix kicked off with the Finnish support act Atlas weaving a dark, emotive storm through their “Northcore” riffs and icy moods, setting the bar high early.
Next up, Portuguese black-metallers Gaerea took the stage cloaked in darkness, delivering an intense set with raw aggression.
When Orbit Culture finally hit the stage around 21:20, the venue was primed and the crowd erupted.
Midway through the set, a fan yelled from the crowd, “Play Open Eye!”, drawing laughter and cheers from everyone around.
Niklas Karlsson grinned and replied that they’d “save it for next year,” a promise met with good-natured skepticism—because “Open Eye” is a song that deserves its place on the setlist… But hey, maybe they will play it next time they’re in Belgium, at Alcatraz 2026…
The Duke of Spook himself, Wednesday 13, brought his “Mid Death Crisis EU Tour” to Tavastia, unleashing a night of theatrical horror and high-octane rock ’n’ roll. The show celebrated his latest album, ‘Mid Death Crisis’, and marked a long-awaited return to Finland.
It’s been an astonishing 13 years since Wednesday 13 last performed his solo material on Finnish soil, making this a highly anticipated event for fans of horror rock and punk. From start to finish, the show was a wild ride through Wednesday 13’s dark universe, blending old favorites with fresh cuts from the new album. For many fans, including myself, it was a standout night. This being the fourth time seeing Wednesday 13, I can confidently say this was his best performance yet.
Supporting the night was Sister, Sweden’s premier horror rock outfit, who kicked off the night with a fiery set that perfectly set the tone for what was to come.
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