Photo Reports
The term ‘Female Fronted’ is currently being used excessively and is slowly turning into a real cliché. What can one say about a concert evening where both the opener and the main act owe their names to their respective legendary female artists, frontwomen, and band leaders?
Whatever it may be, it was definitely a fantastic concert evening.
Elena Rud and her indie-pop from Munich kicked off the evening. The songs, seasoned with a poetic touch, enthralled the audience from the first song.
At exactly 9 p.m., Deine Cousine takes to the stage at ‘Im Wizemann’. Like a storm, Ina Bredehorn and her musicians tear across the stage, captivating the concert audience spanning all age groups from the first note. A crowd well-versed in the lyrics sings along diligently and dances as much as their shoes allow. For a fan, the biggest highlight is always getting on stage and singing a duet with the band, which happened as always.
This evening left no one unhappy as they headed home…
Saturday night in Fort Wayne, IN was the Proving Grounds for a Moshpit and definitely the place to be if you were craving a hard-hitting, high-energy, face-melting concert!
Piere’s was stop number two on The Angels and Villains Tour here in the United States. This tour quickly followed up Attila’s Europe/UK tour. Joining Attila were Born Of Osiris, Traitors, Extortionist and Not Enough Space.
The sun was shining, and it finally felt like spring in the Midwest! Doors open early at 5pm for this tour, but that did not stop fans from coming out and forming a line along the side of the building. Once inside, the house was already packed with wall-to-wall people and the energy was already high, which is one of the big reasons that I absolutely fell in love with the metalcore scene!
All of the opening bands did an absolutely banger of a job getting the crowd rowdy and keeping it that way! There was a constant circle pit and a consistent flow of crowd surfers.
Attila was the headliner for the evening. The band was formed nearly 20 years ago in Atlanta, Georgia as very young musicians. They have proven to stand the test of time. Current members are Chris Fronzak[vocals], Chris Linck[guitar], Kalan Blehm[bass], and Tyler Kruckmeyer[drums]. The guys kicked off their set with the song “Proving Grounds” and the energy was explosive and non-stop for the entire 12 song setlist! The entire setlist was: Proving Grounds, Three 6, Party With The Devil, Metalcore Manson, Bite Your Tongue, Handshakes With Snakes, Middle Fingers Up, Payback, Moshpit, Timebomb, Cancelled, and closed out with About That Life. Frontman Fronz was very interactive with the crowd, high-fiving, fist bumping and speaking to the fans. At one point, he encouraged a girls only moshpit. Of course, the crowd-surfing from the previous 4 bands continued all the way through Attila, along with quite a bit of stage-diving as well. To sum up this tour, it is an all out party from beginning to end!! There are tons of dates left-go see if there is a stop near your city and get a dose of your extremely high intensity metalcore!
At De Oefenbunker in Landgraaf, The Netherlands, Dear Mother delivered a standout performance that enthralled the venue. This event was part of a special four-show club tour in the Netherlands to promote their latest EP, “Necessary Darkness.” The band, gaining a significant following (partly) due to Merel Bechtold’s past involvement with Delain, Mayan, and Purest of Pain, showcased their musical prowess with a 13-song setlist that included all four tracks from the new EP.
Each song was met with enthusiastic cheers, affirming Dear Mother’s influence and musical depth in the metalcore scene.
The evening was further energized by Finnish band Luna Kills. Marking their first performances outside of Finland, Luna Kills impressed with their unique blend of alternative metal and rock, capturing the attention of many, and adding a memorable layer to the night’s lineup. Their performance was not only a supporting act, but also a significant event that showcased their potential on the international stage.
The intimate environment of De Oefenbunker facilitated a close interaction between the artists and the audience, making the concert a more visceral and engaging experience. This venue, known for supporting emerging talents, proved to be the perfect setting for such dynamic performances.
The collaboration between Dear Mother and Luna Kills exemplified the spirit of unity within the metal community. Both bands left strong impressions, with Dear Mother affirming their place in the hearts of metal fans and Luna Kills setting the stage for future international endeavors. The event not only celebrated Dear Mother’s new EP, but also highlighted the burgeoning talent of Luna Kills, promising exciting developments for both bands in the metal scene.
Ghent, April 9, 2024 – Doodseskader and Watergruwels delivered an unforgettable show at the Balzaal of VIERNULVIER. The two bands provided an evening of raw energy and intense music, filling the venue to the rafters.
Watergruwels kicked off the night with a solid set. Tusais and Slotho immediately showcased their vocal prowess and created a unique sound with their experimental blend of hip-hop, grunge, and metal. The band’s energetic performance pulled the audience in right away.
Doodseskader then took over and delivered an even more intense show to release their new album, “Year Two”. The visuals on the projection screen created a menacing atmosphere, perfectly matching the band’s raw music. Vocalist Tim De Gieter roared his lyrics into the venue with abandon, while Sigfried Burroughs attacked the drum kit with unbridled energy. Songs like “I Ask With My Mouth, I’ll Take With My Fist” and “It’s Not An Addiction If You Don’t Feel Like Quitting” provided a highlight of the set, with headbangers and moshpits ensuing.
The show by Doodseskader and Watergruwels was a true spectacle that transcended genre boundaries. The two bands showed what they are capable of and proved that they are a force to be reconned with in the Belgian music scene.
On April 6th, 2024, the historic city of Middelburg played host to the legendary Dutch guitarist Adriaan Vandenberg and his band, Vandenberg, at a concert that was part of their tour promoting the new album “SIN.” Held in the intimate ambiance of a sold out venue, the night was a celebration of both new tracks and beloved classics. Opening the evening was Marco Mendoza, whose performance set a high-energy tone for what was to come. Mendoza, like Vandenberg, is a former member of the iconic rock band Whitesnake.
Vandenberg’s set list comprised 15 songs, intriguingly featuring just two from their latest album, “SIN.” (“Hit the Ground Running” and “Light it Up”) and The focus instead was on a nostalgic journey through their storied past, including four cover songs from Whitesnake. These classics—”Fool For Your Loving,” “Sailing Ships,” “Judgement Day,” and “Here I Go Again”—were the highlights of the night, drawing the loudest cheers and singalongs from the audience. It was a poignant reminder that, despite his ventures with his own band, Vandenberg’s legacy with Whitesnake remains a strong draw for fans.
The concert in Middelburg was a reunion of classic rock enthusiasts, celebrating the enduring appeal of Vandenberg and the timeless tracks of Whitesnake. Fans left the venue satisfied, having witnessed a masterful blend of past and present.
On the last day of March 2024, there was a wonderful German punk rock evening taking place at Stuttgart’s LKA Longhorn.
For the third time, the closing concert of a SCHMUTZKI tour, under the name ‘Schmutzgart’, took place in Stuttgart, the trio’s hometown. As always, in this happened in a packed venue: SOLD OUT!
Before the local heroes took over the stage, BERLIN 2.0 and DREI METER FELDWEG kicked off the colourful evening. With a radically minimal stage setup, all bands got to work. Focus on the music and the lyrics, rather than on pyro, fog, and other special effects.
Musically, it started a bit less punky with BERLIN 2.0, whose music styles the band itself describes as ‘Death Rock’. A solid performance that set the mood, even though the stage lighting was slightly neglected.
DREI METER FELDWEG, who have been accompanying SCHMUTZKI as openers throughout the entire tour, added even more to the party with their party punk rock. The first broken nose from the mosh-pit appeared among the paramedics. It was wild — the band convinces with fast and catchy grooves, sing-along melodies, and even some critical lyrics. The audience was quickly fully engaged, already in the best party mood, and having a lot of fun – echoing the song ‘Ich mach ne’ kleine Party’ from the band’s latest album ‘Durak’.
Last but not least: SCHMUTZKI themselves. Anyone who has had the pleasure of seeing the guys live before knows that they can tear down any venue properly. With the first notes, there was no holding back in the self-titled ‘Schmutzki Mob’. Whether on stage or venturing into the audience to perform, there was no holding back. The hall was boiling and raging to the last corner. Whether it was ‘Die beste Bar der Stadt’ or ‘Rodeo’ — dancing and singing along was simply mandatory.
SCHMUTZKI delivered — in full force, offering a more than worthy conclusion to their tour. Including the announcement of ‘Schmutzgart IV’ in 2025! We’re already looking forward to it!
Enjoy our photo gallery!
You know it’s a party when Turmion Kätilöt comes to town. But first it’s time for some darker tones from Marianas Rest. Followed by some Japanese black metal from Sigh. Pakkahuone is slowly but surely filling up and by the end of the evening I bet to say that it was probably pretty close to being sold out. By the time that Turmion Kätilöt begin their show the beer and the sweat is running. If you’re not sucked into in by their weird but energetic show, you’re probably doing something wrong.
By the age of 60, Sami Yaffa has worn multiple hats in various different bands such as Hanoi Rocks, Pelle Miljoona OY, New York Dolls, The Hellacopters, just to name a few but now in his 60s still going stronger than ever this legendary bassist just released his only second solo album in his illustrious career titled Satan’s Helpers, Warlazer Eyes & The Money Pig Circus which the packed house of Tavastia – where Mr. Yaffa himself has a lot of history – heard this fantastic album in its entirety. A night filled with hilarious stories from his multiple decade long journey in the music business to performing older classics from his back catalogue, this night was filled with pure rock ‘n’ roll brilliance. Check the pics of it down below!
For the third event of the year, GRIMM invited Powerstroke, Hudič and Beyond Our Sight to play at Asgaard.
Beyond Our Sight kicked off the event. It was a special night for the band because it was their last gig ever. Beyond Our Sight is a band from Ghent, Belgium, with members hailing from bands like Poseydon and The Breathing Reflex. They bring a style of metal heavily influenced by metalcore, death metal and thrash Metal. Where many other bands operate with a frontman who at times gets vocal support from a bassist or guitarist, Beyond Our Sight has two full-fledged frontmen on stage. The vocal connection between the two vocalists gave the set an extra boost. Working with two singers, who can both stir things up well, does the trick. The influences of thrash and metalcore can be heard. The guitar parts complement each other nicely, and the vocal lines are an enrichment and stimulate the melody of the songs. The band went full throttle from the start and the audience went crazy and gave them an open curtain. It was a fantastic show, too bad that the curtain fell. Isn’t that a pity?
Next in line was Hudič. If you know that Hudič is Slovenian for devil, then you can already deduce what to expect. It is a Belgian metal band founded in 2017 that combines different styles (doom, black and death metal) into one soul devouring machine! Apparently, the band members don’t want to be recognized, because they perform in monk’s robes. At the intro, the singer walked among the audience, while literally incense the people with a censer! The tone is immediately set. A show of Hudiç is dark and obscure, my cup of tea. Hudič‘s sound is varied. Sometimes exhilarating, sometimes leaning back, but always threatening. Many styles of metal are forged into a beautiful whole, where not one style is dominant. Those who like a portion of modern metal with extreme tones, will love Hudiç. The vocalist has a fine voice. Deep and low when possible, vicious and sharp when necessary. This makes for a pleasant change. They gave a solid performance and the audience loved it. Their new single “WHEN THE STARS ALIGN” has been dropped on March 1st ! Check it on Spotify and immerse yourself in the dark and powerful world of Black and Death Metal.
The headliner was Powerstroke: Originally a thrash/hardcore combo that rose from the underground, crushing yet grooving in a unique way. Through the years, they as a band created a musical brand on their own. They have been booked as support act for Life of Agony, Body Count, Suicidal Tendencies, Crowbar and Pro-Pain. Powerstroke is a very productive band that has built up a very solid live reputation because of their intensive shows and their heavy and groovin’ live sound. They didn’t disappoint us. The band raced over the crowd like a truck and the crowd went nuts. The five-piece from Meetjesland doesn’t care about uniformity and browses through every corner of the metal genre: nu metal, death, thrash, hardcore, anything goes. Brutal uppercuts leave room for breathers and fragility. Powerstroke manages to keep all genres in line and the group never loses sight of cohesion. The multitude of styles also makes the band timeless. The show was spot on. This band deserves a bigger stage.
On the vibrant night of March 26th, metal enthusiasts descended upon El Corazon, the iconic music venue in the heart of Seattle, Washington. The anticipation was palpable as fans eagerly awaited the arrival of one of the most influential bands in the black metal scene: Rotting Christ. The lights dimmed as the clock struck the appointed hour, and the crowd roared in anticipation. The stage came alive with a burst of energy as Rotting Christ emerged, shrouded in darkness yet radiating a magnetic presence. With their signature blend of melodic riffs, thunderous drums, and haunting vocals, they wasted no time captivating the audience.
