Photo Reports
Jinjer finally played their first headlining shows in Finland, it’s almost unbelievable considering that they needed a special permission from the Ukrainian Ministry of Culture to be allowed to travel as cultural ambassadors, to even make their ‘Duel‘ tour through Europe and North America possible. After their gig in Helsinki they, together with Textures and Unprocessed, tore down the sold out Tavara-Asema in Tampere on the 25th of February.
On February 21st, 2026, Hiraes stormed the small venue of DVG Club in Kortrijk. The venue houses both a large and a small hall. This show took place in the more intimate setting. It wasn’t officially sold out, but the space felt perfectly alive: full enough to radiate energy from wall to wall, yet open enough for fans to move freely, headbang, and lose themselves in the music.
The Kortrijk date followed closely after Hiraes’ appearance at the legendary metal cruise festival 70000 Tons of Metal just a couple of weeks earlier in the USA. Bringing that same explosive momentum back to solid ground, the band delivered a razor-sharp set, every song hit with precision. After the show, Hiraes took their time to meet fans, pose for photos, and sign whatever was handed to them — albums, shirts, posters, and more.
A special highlight took place in the venue’s hallway, which is lined with striking artist portraits painted by Brecht Carton. In this continuously growing gallery of musicians, Carton recently added a portrait of Britta Görtz to the collection. After the show, she signed her newly placed artwork — turning it into a lasting memory.
The evening kicked off with Nopreachers.
This past Friday, we got to experience an incredibly unique opportunity: catching the second sold-out show at Tavastia featuring the original members of the legendary Children of Bodom, with Samy Elbanna stepping in to honor the late, great Alexi Laiho. The night celebrated the long-lasting and impactful career of one of the world’s most renowned Finnish metal bands, Children of Bodom – and one of Finland’s most iconic guitarists, Alexi Laiho.
The two-hour spectacle delivered hit song after hit song, all played to absolute perfection, in front of what was possibly the wildest crowd I have ever personally seen at Tavastia. Seeing original guitarist Alexander Kuoppala perform with the group for the first time since 2003 was a real treat for all die-hard Bodom fans. Massive credit must also be given to Samy Elbanna for taking on this difficult task with great grace and impeccable precision.
Check out the pictures from this very emotional night below!
Stuttgart’s Im Wizemann turned into a pressure cooker of hardcore intensity as the Echoes In Eternity Tour 2026 rolled through town.
Opening the night, Colombia’s RAW BRIGADE wasted no time setting the room on fire with their raw, unfiltered energy—short, sharp bursts of hardcore that instantly pulled the crowd into motion. Their set felt like lighting the fuse of a dynamite stick.
Next up, WISDOM IN CHAINS pushed the momentum even further, delivering their signature blend of hardcore punk with a ton of street credibility. Their anthemic choruses and relentless drive had the venue shaking to the ground walls, uniting old‑school fans and new faces in a shared sing-along chorus.
But the true climax came when AGNOSTIC FRONT stormed the stage. As pioneers of the NYHC genre, they delivered exactly what the night demanded: a fierce mix of timeless classics and fresh material from their latest album. The pit surged, the crowd shouted every word, and the band proved once again why they remain an unbreakable pillar of hardcore culture.
Modern metal outfit Sylosis has been turning heads for quite some time now and the UK band is about to release their new album ‘The New Flesh’ on February 20 with Nuclear Blast. But they’re not waiting on the album to be out and are already touring through Europe with “The New Flesh tour”, bringing along some of the best of the extreme metal scene with the US technical death masters Revocation, Dutch deathcore stars Distant and the Texas crossover thrash misfits of Life Cycles! We were at their packed show at Tavastia in Helsinki and saw a show that anyone who loves their metal heavy and technical, yet catchy and massive, should most definitely go to if they come anywhere near you.
ROYAL REPUBLIC the Swedish rock band known for their energetic performances and catchy tunes, presented their ‘Lovecop Europe Tour 2026‘ in late January 2026 in Stuttgart. They blend rock, garage-punk, and funk elements, captivating audiences with their humorous lyrics and highly enegertic live shows. The band has gained international fame with hits like ‘Tommy-Gun’ and ‘Addictive’.
In a fully packed Wagenhallen venue in Stuttgart ALEX MOFA GANG opened up the set. The German 5 piece started the night with a convincing set of their rock music infused with some punk and indie influences. Despite some minor technical issues at the start, this was starting the party and highlighted by a crowdsurfing salto by vocalist Sascha Hörold.
After ROYAL REPUBLIC entered the stage, there was no more holding back. Adam Grahn and his light-up guitar are kicking it off. From front to back the crowd was dancing, singing, jumping and partying along with the 4 Swedes from start to end. It was the perfect show with highest entertainment value you can expect from a concert. ROYAL REPUBLIC are simply the masters of disco-rock at current times and show that you do not need pyro and high sophisticated animations on the back of the stage. A well designed light-show and a highly motivated band with their high‑octane, dance‑heavy show in combination with a strong disco‑rock pulse is just perfect. Adam is leading the crowd through the night with his typical signature humor and fantastically designed stage choreography. The audience willingly follows and there is no holding back until, after 90 minutes, the last notes are played.
If you still have a chance to see this live: just go! You will not be disappointed.
Jinjer played a sold-out show in Brussels last week, marking only the third date of their “Duél tour”. Even at this early stage, the Ukrainian progressive metal band appeared fully locked in, delivering a confident and intense performance.
The evening opened with Textures as first support, followed by Unprocessed. During Unprocessed’ set, technical difficulties occurred at the beginning of their second song, causing a brief interruption before the band was able to continue and complete their performance.
Touring in support of their latest album ‘Duél’, Jinjer focused heavily on the record, with approximately half of the setlist taken from it. The songs already sounded tight and well-rehearsed, fitting naturally alongside older material. Frontwoman Tatiana Shmailyuk stood out not only vocally but visually, appearing on stage in what seemed to be traditional clothing — a notable contrast to her usually striking stage outfits. The choice added an extra layer of impact to an already powerful performance.
Fan favorites “I Speak Astronomy,” “Sit Stay Roll Over,” and “Pisces” were met with an enthusiastic response, closing the night on a high note. For a show so early in the tour, Jinjer’s Brussels performance made it clear that the “Duél tour” is off to a strong start.
On the 17th of January, Cobra The Impaler and Modder joined forces for a double bill that rocked Club Wintercircus. Two of Belgium’s most impressive heavy acts shared the stage supported by Bloed.
Bloed, three siblings (brother – sister- brother), kicked things off. They are clearly one of the rising names in the Belgian underground scene, and their set made that obvious right away. Being raw and uncompromising, they were the perfect band to warm up the room and set the tone for what was still to come. First timer for me, but defo not the last time.
Next up was Modder. Modder continues to stand out. Their sound is massive: colossal riffs, thundering basslines, and grim industrial sound effects, all delivered with impressive precision. They played incredibly tight. Drummer Gregory Simons completely blew me away—whether blasting at full force or locking into grooves that felt like they were hitting you straight in the chest. The filthy guitar riffs, the electronic textures from Simon Felix, and the relentless energy and showmanship of bassist Maurice van der Es all came together perfectly. Watching Modder live is not just a sonic experience, but a visual one as well.
Headlining the night was Cobra the Impaler, and from the first note it was clear they meant business. They don’t take prisoners. Unlike their namesake Vlad, instead of stakes, they use powerful drum patterns, razor-sharp riffs, and commanding vocals. This band is built for the stage: energetic, focused, and completely in control of the crowd. Their set kept shivers running down my spine from start to finish, and they left Club Wintercircus buzzing long after the final note faded.
Wow… Time flies… Another year is over and I’m still able to do what I love most: concert photography. Since October 2021 GRIMM is a home for my photographic work, thanks to the whole team for letting me be part of this great journalistic family. I love to be here and having the opportunity to bring the atmosphere and the feeling of live performances to our readers and viewers; at least I hope I do. At the end of the year, it is always time to look back and choose our personal highlights. Creating this collection is always hard since in the course of a full year an amazing amount of photos is made and there are much more than this. But still, I’m confident that you will enjoy my choices. If you are not, please let me know.
This year’s list of artists shown here (in random order): VULVARINE, STEPFATHER FRED, ANKOR, DONOTS, WOLFMOTHER, THUNDERMOTHER, SKINDRED, TUK SMITH & THE RESTLESS HEARTS, SALTATIO MORTIS, PARKWAY DRIVE, MOTIONLESS IN WHITE, MOONSHOT, MEGADETH, KISSIN’ DYNAMITE, HELLOWEEN, ENGST, GATECREEPER, ENEMY INSIDE, DISTURBED, DANKO JONES, BEAST IN BLACK, APRIL ART, EMIL BULLS, ELUVEITIE, AVANTASIA, ARCH ENEMY, AMENRA, NITA STRAUSS, COBRA SPELL
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