Danish metal artist KRØYER releases second solo single ‘FUCKING HARVEST’

KRØYER aka Ditte Krøyer, co-founder and front growler of feminist black metal band Vulvatorious, released her second solo single and music video ‘FUCKING HARVEST’. ‘FUCKING HARVEST’, the follow up to the debut single ‘GAS STATION’ released in November, is a industrial rave metal monster and you can watch KRØYER dissolving in a sea of glitches in the accompanying new music video.

“FUCKING HARVEST describes the meeting between iron and water – an industrial interaction with nature, the landscape I was born in. It is a personal story about existing in our age of the Anthropocene and the imagination of a future filled with water. Inspired by port industry and agriculture, I grow in FUCKING HARVEST to become a iron giant of the environment, as a submarine emerges from the ocean”, KRØYER describes.

You can expect a hard-hitting, dark, electronic musical output from KRØYER when she releases her debut album 3rd of April 2026, with production from Sandra Vitayarat. The same night, you can experience KRØYERs new album live at the release concert at Hotel Cecil in Copenhagen, where she will bring support from the noise phenomenon Royal Spaceporn among others. In addition, KRØYER has just announced performances at the prolific Danish festivals Roskilde Festival and SPOT this summer.

Watch the video here.

KRØYER’s music explores her upbringing in the rural countryside, the deserted liminal spaces in industrial- and agricultural areas. With the sugar industry being present in the middle of KRØYERs birth town Nakskov, and where the sugar fields spread out throughout the island, several generations of her family continue to work. To KRØYER these industrial- and spiritual landscapes, connects her to an area that is socially-, economically- and ecologically challenged.

As a direct product of her surroundings, she now reclaims the area, of which she previously couldn’t get away from fast enough. With deaths, loss and grief, she now seeks to convey the essence of the trauma of the land, personal as well as collective. She is inspired by the Great Flood that fatally hit the island of Lolland in 1872. Through shameless romanticisations, grief and rage, KRØYER now delivers an intense and personal body of work, that differs from her brutal figure in Vulvatorious.

Ditte Krøyer‘s artistic practice also includes sculpture, performance and collage and she recently had her first solo exhibition ‘hard core’, curated by Klara Li Scheutz at Platform, in Nikolaj Kunsthal Copenhagen.