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News Posts
Album Reviews
Fans of Ahab can get their dose of nautical funeral doom at its best from with ‘Live Prey’, a recording of their performance on Germany’s Death Row Fest from 2017.
With ‘Alloy’ Svart Records continues its quest to make all of Skepticism’s back catalogue available again.
Five years after Profetus’ own funereal version of the four seasons, a new doomed treatise on the nature of time and mortality has been unearthed in ‘The Sadness of Time Passing’.
U.K. based funeral doom metal band Esoteric returns after long years of hiatus. Their newest, 7thalbum, ‘A Pyrrhic Existence’, is a mammoth coalescence of funeral doom, death metal and experimental elements from progressive metal.
“A Beacon in the Husk” is modern death metal of an eerie type. It is a complex record that requires time to assimilate its varied contents.
Chalice of Suffering brings exactly what their band name promises: a chalice filled of doom and suffering…
New Jersey’s finest purveyors of funerary doom, Evoken, have finally finished work on the follow up, “Hypnagogia”, a surrealistic concept album about the horrific desperation in the trenches of World War I, a fitting theme for a funeral doom album if there ever was one.
Even after 23 years Skepticism’s debut “Stormcrowfleet” still stands as a monolith of doom.
4 years after the EP ‘The Three Appearances’, Italian dynamic doom duo Assumption has created what could very well be one the finest examples of Disembowelment infused funereal death doom mayhem you’re likely to unearth this year with ‘Absconditus’.
Aeonian Sorrow brings us a cathartic, soul-crushing album where the boundaries of funeral doom are being pushed by the addition of splendid female vocals!
