Wristmeetrazor share new music video for 'Dogdaygod' • GRIMM Gent

WRISTMEETRAZOR has shared a new music video for DogdayGod, taken from their new album, Degeneration. DogdayGod‘s video was directed by the band themselves and Joshua Boerum-Ruh, the video arrived following extensive fall US touring in support of Vended and ahead of WRISTMEETRAZOR‘s recently announced debut UK shows – full details below.

Of the music video, WRISTMEETRAZOR‘s Justin Fornof (vocals) comments:

“This song and music video are the ultimate representation of Degeneration as a record. Conceptually and musically it feels like the climax of the record, so we felt the music video needed to fit that. Our friends at 8498 did a great job filming and helping direct.”

Following the release of their 2021 sophomore effort, Replica of a Strange Love, the WRISTMEETRAZOR line-up went through of metamorphosis with Justin Fornof abdicating his role on bass in favour of lead vocals – bringing Userelaine (bass) and Nate Billmyer (guitar) to the fold in the process. Extensive North American touring soon followed with stints on the road among the likes of Seeyouspacecowboy, Traitors, Eighteen Visions and festival appearances at Furnace Fest and Code Orange’s Code World, respectively.

Having solidified and fine-tuned the strengths of their latest incarnation onstage, the newly upgraded quintet found themselves with a renewed focus leading into Degeneration’s gestation period. During this moment of rare quiet WRISTMEETRAZOR sought the production, engineering, mixing and mastering skills of Randy Lebeouf (The Acacia Strain, Dying Wish, Kublai Khan). Ushering themselves into near total isolation in the woods of New Jersey, the writing and recording process for Degeneration was one of acute solitude, only leaving the studio’s cabin three times during the 30 day lock-in between almost non-stop 12 hour recording sessions.

Degeneration’s backdrop of self-imposed seclusion bore fruit as the album’s lyrical focus began to develop. Whilst there are still traces of WRISTMEETRAZOR’s established world of Nietzchian philosophy and twisted romanticism, Fornof found himself gravitating towards themes of misanthropy, apoplexy, and moral, political and religious hypocrisy within society. With WRISTMEETRAZOR’s ire pointed outwards rather than inwards, societal degeneration is explored through allegorical tales of mechanical decline and system failure that pull together to reveal a larger picture of the band’s disdain for humankind’s more repulsive traits.

Songs such as Turn On, Tune In, Drop Dead, DogdayGod and The Greatest Love Offering in the History of the World reference intentional exits from society and sordid real life stories of assassination, against deftly woven industrial and EBM influences with groove based nu-metal flourishes at the fore. Degeneration’s post-apocalyptic production values lend a cold and methodically calculated quality to WRISTMEETRAZOR’s new skin, without losing the visceral core of their identity.

Seeking to ensure a fully realised aesthetic to represent the absurdity of seeking justice in an unjust world, the cover was put together by Philadelphia, PA visual artist Alex Eckman-Lawn (END, Dim Mak, Woe). Merging what was once flesh with machine and technology, Degeneration’s visual presentation is a towering counterpart to WRISTMEETRAZOR’s bleakest album to date.