Mexican duo The Chasm’s 9th album ‘The Scars of a Lost Reflective Shadow’ captures their old school aesthetics, offering a robust blend of their early albums.
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The 4th album “Summoning the Slayer” of the Michigan-based death/doom act Temple of Void delivers the crushing heaviness of old school death/doom. Temple of Void now seems to tread solemnly amidst their peers, with songs that will envelop the listener with gloomy melodies, ominous growls, heavy pacied drums and brooding guitars.
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Pictures of day 1 of Knotfest Finland with Bloodred Hourglass, Stam1na, Sara, Arch Enemy, Lähiöbotox, Lamb of God, Huora, and Nightwish
‘The Lower Catacombs’, the sophomore album fromNew Jersey death metal act Blasphematory is a raw piece of muddy death metal that incorporates elements from old school death with hints of death/doom metal. Out on Nuclear Winter Records.
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Artificial Brain’s self-titled album demonstrates an eye-raising dexterity in combining everything from jazz to technical/progressive rock simultaneously. Out on Profound Lore.
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Undeath’s sophomore release ‘It’s Time… to Rise from the Grave’ captures its trademark brutal elements and still manages to hold its own style by delivering a sense of freshness and death metal brevity.
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Trolldom’s “Av Gudars Ätt” Trolldom enters the majestic realm of 90s black metal with songs bejeweled for their sinister and unearthly atmosphere. Out on Iron Bonehead.
With his debut album ‘I nattens sken (Genom hemligheternas Dunkel)’ Swedish multi-instrumentalist Swartadapuz explores the bleak landscapes of symphonic black metal. Out on Iron Bonehead.
Pictures of the 2nd day of Rock in the City Kerava 2022 with Stam1na, Melrose, Uriah Heep, Accept, Cyan Kicks and Deep Purple.
Omnium Gatherum and Masis Brewery collaborated to create the band’s first ever beer: ‘Reckoning West Coast IPA’, available at selected places starting from tomorrow!
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