The Callous Daoboys released new single ‘Watching Us Kiss’
Alternative metal collective The Callous Daoboys returned with a blazing new single, “Watching Us Kiss.” The track follows the April release of their single “Gigantic Parasite Tongue” and their last full-length release, the acclaimed 2025 album “I Don’t Want to See You In Heaven”.
The Daoboys’ Carson Pace shares, “‘Watching Us Kiss’ is sort of the answer to every question you’ve had in your entire life. Return to music.”
The Callous Daoboys will hit the road for their Heaven Across North America Tour Part II 2026, kicking off the tour with a hometown show supporting HEALTH at The Masquerade in Atlanta, GA on September 4, and a performance at Riot Fest in Chicago on September 18. The band will then head to Europe and the UK to support Enter Shikari.
EU and UK dates supporting Enter Shikari:
Nov 3 Hamburg, DE Sporthalle
Nov 4 Munich, DE Zenith
Nov 5 Leipzig, DE Haus Auensee
Nov 6 Düsseldorf, DE Mitsubishi Electric Halle
Nov 7 Berlin, DE Columbiahalle
Nov 10 Brussels, BE Forest National
Nov 11 Tilburg, NL 013 Poppodium
Nov 13 Nottingham, UK Motorpoint Arena
Nov 14 Cardiff, UK Utilita Arena
Nov 15 Hull, UK Connexin Live
Nov 18 Glasgow, UK OVO Hydro
Nov 19 Manchester, UK Co-op LIve
Nov 20 & 21 London, UK Alexandra Palace
A feral, genre-detonating collective from Atlanta, The Callous Daoboys don’t just flirt with chaos; they weaponize it. Their sound is a whiplash-inducing riot, spasming between metalcore violence, nü-metal sleaze, noise rock exorcisms, and swaggering rock ’n roll like a car with no brakes and everything on fire.
They’ve left a trail of stunned crowds alongside acts like TesseracT, Protest the Hero, and SeeYouSpaceCowboy, while tearing through international festival stages like a controlled collapse. Celebrity Therapist (2022) cracked the door open; I Don’t Want to See You in Heaven (2025), produced by Dom Maduri, kicks it off the hinges and sets the frame ablaze.
Plenty of bands claim they balance chaos and melody. The Callous Daoboys don’t balance anything; they overload it. Noise rock isn’t revived here; it’s resurrected, reanimated, and sent rampaging through the streets. Across their discography, they’ve proven one thing with absolute clarity: subtlety is dead, and they killed it on purpose.










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